Sound recording on the opening barber shop scenes is not up to the usual technical standard. The dialogue is heard as being "tinny." That's the first sign a production unit was not filming on a closed soundstage. Then looking through the door and window of the shop one can see natural light. The Laurel & Hardy company was filming inside the false street fronts on the back lot, a rare practice. When Hardy walks out to mail his letter, the most prominent landmark to be glimpsed is the stretch of sidewalk where Dorothy Coburn had her derriere painted in THE SECOND HUNDRED YEARS (l927). |
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